A MOZART PLAYER GIVES HIMSELF ADVICE-MINOR MOZART:IN DEFENSE OF HIS SOLO WORKS-NOTES ON COMPLETE RECORDING OF BEETHOVEN´S PIANO WORKS-WERKTREUE.AN AFTERTHOUGHT-FORM AND PSYCHOLOGY IN BEETHOVEN´S PIANO SONATAS-THE PROCESS OF FORESHORTENING IN THE FIRST MOVEMENT-MUSICAL CHARACTER IN BEETHOVEN´S PIANO SONATAS-BEETHOVENS´S NEW STYLE-MUST CLASSICAL MUSIC BE ENTIRELY SERIOUS?-THE SUBLIME IN REVERSE-BEETHOVEN´S DIABELLI VARIATIONS-THE TEXT AND ITS GUARDIANS:NOTES ON BEETHOVEN´S PIANO CONCERTOS-SCHUBERT´S PIANO SONATAS,1822-1828-SCHUBERT´S LAST SONATAS-A FOOTNOTE ON THE PLAYING OF SCHUBERT´S FOUR HAND WORKS-TESTING THE GROWN UP PLAYER: SCHUMANN´S KINDERSZENEN-THE AND VARIATIONS.SCHUMANN AND BEETHOVEN -FROM MOZART TO BRAHMS-LISZT MISUNDERTOOD-LISZT AND THE PIANO CIRCUS.AN AFTERTHOUGHT-THE NOBLE LISZT-LISZT´S ANNEES DE PELERINAGE-LISZT´S PIANO PLAYING-TURNING THE PIANO INTO AN ORCHESTRA:LIST´S TRANSCRIPTIONS AND PARAPHRASES-ARLECCHINO AND DOKTOR FAUST:ON THE CENTENARY OF BUSONI´S BRITHS,1966-EDWIN FISCHER:REMEMBERING MY TEACHER-FROM ANALYSIS TO ZUBIAURRE.A REVIEW OF THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS-TALKING TO BRENDEL-BACH AND THE PIANO.WITH TERRY SNOW-ON SCHNABEL AND INTERPRETATION